CREDITS
Carl G. Brooks – Paul Ellis
Erin Lillis – Allison Baxter
Coral Baxter-Ellis – Tal Minear
Written by David S. Dear and Shannon Perry
Opening music “Coffee” by Cambo
Closing music “Life Illusion” by Ketsa
FOREWARD
CORAL
Hi everyone. I’m Coral, pronouns they/them. My parents have pretty… interesting perspectives on things between the two of them, so I suggested they start a podcast where they review things so they can share their perspectives… on things. So as I was starting to edit this I figured I’m going to just release this raw and unedited, let you get the full perspective. Okay, here we go.
MAIN SHOW
ALLISON
So where do I sit?
PAUL
How about you sit on the left and I’ll sit on the right?
ALLISON
OK…
She bumps her head on the microphone
Ouch! What is this?
CORAL
That’s a mic, Mom.
ALLISON
Well, what’s it doing up there?
CORAL
It’s on a boom arm.
PAUL
That’s for better sound quality, right, Coral?
CORAL
Um… sure, but mostly it’s because we don’t have much room in here. And also because it came with the podcast starter kit I bought, and it looks cool.
ALLISON
Testing, 1, 2, 3, test test.
PAUL
What are you doing?
ALLISON
No idea. But you see people do that at concerts, so there’s gotta be a reason, right?
PAUL
HA! When was the last time you were at a concert?
ALLISON
Dave Matthews Band at the Gorge, September 3, 2011.
CORAL
You can remember that but can’t remember what pronouns I prefer…
PAUL
Did I go to that with you? Or did you go with what’s-her-name?
ALLISON
The latter. You can’t stand them, remember?
PAUL
Is she using the “they/them” pronoun now, too?
ALLISON
Don’t be stupid. Dave Matthews Band. You can’t stand Dave Matthews Band.
PAUL
True. But I like what’s-her-name.
CORAL
Now that we’ve established who does and doesn’t like what’s-her-name and Dave Matthews can we proceed? First thing is to get you both seated and comfortable so we can position the mics.
ALLISON
So sit down, Paul.
PAUL
I’m checking out the equipment, Allison. Do you know how to work all this, kiddo?
CORAL
Most of it, yeah. I’m still learning some if it.
PAUL
But you know enough that we’re not going to sound like idiots, right?
CORAL
I’m the producer, Dad,
(Mumbles)
not a miracle worker.
PAUL
(Not listening to Coral)
So… what DAW did you land on?
ALLISON
What what?
PAUL
DAW, Allison. Software for podcasting.
ALLISON
Oh, you know all about podcasting now? Even though we’re about to record our very first episode?
PAUL
I did some research. So, Coral? What did you pick? ProTools? Reaper? Garageband?
ALLISON
You are making those up.
CORAL
Actually, he’s not. Audacity. It’s free, and it’s plenty for what we need.
PAUL
Free. Nicely done, apple doesn’t fall far from this old oak. Maybe we can graduate to ProTools and splurge when you’ve got more experience.
Coral
Sure, dad.
ALLISON
(Waaaay too close to the mic.)
Testing, testing, 1, 2, 3…
PAUL
They didn’t call for a sound check yet, Allison.
CORAL
No, she’s fine, Dad. Move back a bit, Mom. More. More. You’re not moving.
ALLISON
I thought you were supposed to “eat the mic.”
PAUL
Good grief.
CORAL
These mics are pretty sensitive. Just keep your mouth in front of the mic and try not to move too much while you’re talking.
PAUL
Put your headphones on.
ALLISON
Why?
PAUL
You can hear yourself through the headphones; it sounds really cool. Hellooooooooooo! Good evening, ladies and gentlemen, and welcome to the Universal Amphitheater. Well, here it is, the last 1970s, going on 1985…
ALLISON
NO MORE BLUES BROTHERS.
PAUL
Fine. But listen to yourself!
pause. nothing.
You have to actually say something.
ALLISON
Two roads diverged in a yellow wood…
PAUL
Seriously? It’s a microphone, Ally, rock and roll!
ALLISON
It is pretty cool… Wait. Can anyone hear us?
Coral
Uh, no. Not yet. We’ll record it, and I’ll edit it, and then we’ll publish it.
ALLISON
And then people can hear us?
CORAL
That’s the plan.
ALLISON
This is a lot of cables. How can you keep them all straight? This is super impressive, Coral.
PAUL
Give a kid a credit card….
ALLISON
Well, I wouldn’t know what to buy or how to set all this up. Would you?
pause.
PAUL
All righty, sooooo, this is how we’re going to settle family debates, huh?
ALLISON
I guess so.
PAUL
Are we ready to test levels?
CORAL
Go for it.
ALLISON
So is this when I say “testing testing 1 2 3”? Is that okay Mr. Podcast or is that only if I’m onstage?
CORAL
Really doesn’t matter what you say, Mom. But give me a round of Peter Piper, will you?
ALLISON
Peter Piper?
PAUL
Coral’s testing for plosives. You’re testing for plosives, right?
CORAL
A-plus, Dad.
ALLISON
What does that mean, plosives?
PAUL
It’s when… Coral, explain to your mom.
CORAL
Certain letters make sounds into the mic. P and B are two of the worst. That’s why we have those screens in front of the mics, to help disperse the air that comes out. Put your hand in front of your mouth and say P P P B B B T T T.
ALLISON
P P P B B B T T T.
CORAL
Feel that little puff of air? When that hits the mic, it sounds really bad. But the pop screen plus the right distance from the mic usually takes care of it.
ALLISON
Got it. Peter Piper picked a peck of pickled peppers. How was that?
CORAL
Really good. Dad, you’re up.
PAUL
Peter Piper picked a peck of pickled peppers.
CORAL
Wow, Dad, are you doing that on purpose?
PAUL
What do you mean?
CORAL
Just back off the mic a bit and try to remember to control your air when you say Ps Bs, stuff like that.
PAUL
Right. Fine. Let’s just start.
ALLISON
Don’t get offended, Paul; she’s trying to help you.
PAUL
They. They are trying to help. Remember?
ALLISON
Right. Sorry, Coral.
CORAL
OK, I’m recording, so start when you’re ready.
PAUL
Hey everybody, I’m Paul-
ALLISON
And I’m Allison.
PAUL
-and this is the first episode of our new podcast, Deconstructive Criticism-
ALLISON
-where we review all the things you you do and don’t need in your life. Like this Dewalt electric hand drill. Which you definitely need, if you’re still working with a corded one. See this piece here?
CORAL
Mom, quit bumping the mic. And you don’t need to show the drill. No one can see it.
PAUL
What are you doing? You can’t just jump straight into the review. We have to set the stage first. You can cut that bit, right, Coral?
CORAL
Yep.
PAUL
Thanks for joining us today; we hope to bring you a fun show with lots of great information about the stuff we’re reviewing. If you’re like us, you have a lot of household decisions to make, but maybe you don’t always agree on what’s the best choice. We hope our experience with whatever we’re reviewing will help you make a decision on whether or not it’ll work for you.
ALLISON
Yes.
PAUL
Aaaaaand?
ALLISON
Aaaaand what?
PAUL
This is where you say something about how we’re not getting paid to review this stuff, then I say something about, like, “who would pay us for a bad review anyway” and you say something like “cuz bad reviews are bound to happen.”
ALLISON
But we don’t know for sure we’re going to give bad reviews. I love my DeWalt.
PAUL
You know we’re going to do more than the drill, right? If we’re planning an episode every, what, couple of weeks, Coral?
CORAL
That’s the plan.
PAUL
Then a bad review is going to happen. Eventually we’ll review enough stuff that we’re bound to review something we don’t like. You don’t remember us having this conversation?
ALLISON
We said that we’ll review stuff and there might be a bad review, but we didn’t say we were going to say that in the first two minutes of the first episode. It feels negative. I want to start off on a positive tone, like yay, electric drill!
PAUL
“Yay, electric drill?”
ALLISON
Or, “yay, lemon zester,” or whatever. I’m just saying, let’s start out positive.
PAUL
But the whole “who’d pay for a bad review” is funny!
ALLISON
It’s not that funny.
PAUL
I think it’s funny.
ALLISON
You think “pull my finger” is funny.
PAUL
OK, let’s just start over.
ALLISON
No, it’s fine. Coral will fix it. Let’s just keep going.
Coral
Uhhhhh…
PAUL
We promise you, we’re not being paid for any of our reviews, so you can assure you’ll be getting an unbiased review from us. Because who’d pay for a bad review anyway, right?
laughs alone
ALLISON
sighs
PAUL
You can cut that bit, right, Coral?
ALLISON
What bit?
PAUL
The heavy, woe-is-me-my-husband-sucks sigh.
ALLISON
If the sigh fits….
PAUL
Look, just lead me into the review. Without sighing, please.
ALLISON
Fine. So, Paul, what are we reviewing here?
PAUL
Wow, that didn’t sound fake at all.
ALLISON
I’m sure Coral can cut it. Along with everything else I say.
PAUL
Well, that bit certainly has to go. Thanks, Allison! Our family needs a new microwave!
ALLISON
Oh, goody. A microwave.
PAUL
Seriously? “Oh, goody”? You sound like you were carved out of oak.
ALLISON
That’s it. I’m done.
PAUL
You can’t leave. We haven’t finished. Hell, we haven’t even started!
ALLISON
You don’t need me. You’re just going to cut all my lines out anyway.
stands up to walk out, forgetting about headphones. gets yanked back
Dammit! Stupid headphones!
PAUL
snorts with laughter
ALLISON
(very, very angry)
Oh, I really wouldn’t, pal.
she storms out, he follows
PAUL
Honey, come on, I’m sorry. It was kinda funny, that’s all. Come back, we’ll try again. Ally…
AFTERWORD
CORAL
Hi, everyone, this is Coral again. And those were my parents, Allison Baxter and Paul Ellis. As you could hear they are buttheads who can’t agree on anything. ANYTHING. That’s why I suggested they start a podcast to review the stuff they can’t agree on. Then we’ll let you, the listeners, vote. Yay or nay, Item 1 or Item 2, and they have to abide by your decision. You can vote on our website, dcritpodcast dot com. But here’s the thing: I think what they’re really trying to decide is whether or not to stay together. So I’m not going to edit these episodes. You’ll get the whole mess — bickering and all. When we get to the end, whenever that is, I’ll ask for one final vote: stay married? or get a divorce. So, listeners, be sure to come back every two weeks, because you have a really big decision to make, and this family’s future is in your hands. I’ll see you next time.